{"id":20571,"date":"2026-04-15T05:22:26","date_gmt":"2026-04-15T05:22:26","guid":{"rendered":"https:\/\/skyformstudio.com\/ceiling-kinetic-installations-in-architecture\/"},"modified":"2026-04-23T04:58:29","modified_gmt":"2026-04-23T04:58:29","slug":"ceiling-kinetic-installations-in-architecture","status":"publish","type":"post","link":"https:\/\/skyformstudio.com\/uz\/ceiling-kinetic-installations-in-architecture\/","title":{"rendered":"Arxitekturada ship kinetik o’rnatmalari"},"content":{"rendered":"\t\t
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Shift kinetik installyatsiyalari arxitekturada juda o’ziga xos o’rin tutadi. Ular maydonlardagi mustaqil haykallar kabi harakat qilmaydi va bino konvertiga o’rnatilgan fasad tizimlari kabi ishlamaydi. Ularning maydoni jamoat ichki qismi ustidagi osilgan zonadir: atriumlar, vestibyullar, zallar, mehmondo’stlik bo’shliqlari, muzey zallari va katta tijorat yig’ilish joylari. Bu holatda ular bir vaqtning o’zida san’at asari, fazoviy qurilma va muhandislik asosida yaratilgan yuqori tizimlar sifatida ishlaydi. <\/span><\/p>

Aynan shu narsa ularni shunday o’ziga xos tipologiyaga aylantiradi. Shift kinetik installyatsiyasi<\/a> hech qachon shunchaki vizual effekt uchun tepaga qo’yiladigan ob’ekt emas. U xonaning qanday o’qilishini o’zgartiradi. U idrok qilinadigan masshtabni siqib chiqarishi yoki kengaytirishi, ko’zni yuqoriga qaratishi, atriumning markazini belgilashi, jamoat harakatini sekinlashtirishi yoki neytral sirkulyatsiya bo’shlig’ini unutilmas ichki yodgorlikka aylantirishi mumkin. Arxitektura nuqtai nazaridan, bu bezak emas. Bu fazoviy aralashuvdir. <\/span><\/p>

Arxitektorlar, ishlab chiquvchilar va dizayn guruhlari uchun bu muhim, chunki katta ichki hajmlar ko’pincha ma’lum bir muammoga duch keladi: ular qimmat, saxovatli va texnik jihatdan ta’sirchan, ammo fazoviy jihatdan yetarlicha aniqlanmagan. Balandlikning o’zi ierarxiyani yaratmaydi. Yorug’likning o’zi o’ziga xoslikni yaratmaydi. To’xtatilgan kinetik ish, hajm qanday qabul qilinishi va band qilinishini shakllantirish uchun etarlicha erta integratsiya qilinganida, bu shartni hal qilishi mumkin. <\/span><\/p>

Nima uchun ship o’rnatmalari alohida me’moriy tipologiya hisoblanadi<\/span><\/h2>

Osilib turgan kinetik asarlar yer usti installyatsiyalaridan farqli mantiqqa asoslanadi. Maydondagi haykal ko’z darajasida sirkulyatsiya bilan raqobatlashadi. Shiftdagi installyatsiya masofa, vertikal idrok va hajmli o’qish orqali ishlaydi. Jamoatchilik uni aylanib yurish uchun buyum sifatida emas, balki xonaning o’zini o’zgartiradigan yuqori maydon sifatida ko’radi. <\/span><\/p>

Bu farq uning badiiy rolini ham, texnik yukini ham o’zgartiradi. Installyatsiya pastdan, qiyshiq kirish joylaridan, balkonlardan yoki mezzaninalardan va ko’pincha uzoq kirish yo’laklaridan o’qilishi kerak. U vizual shovqinga aylanmasdan bir nechta ko’rish masofalarida ishlashi kerak. Shuningdek, u strukturaviy oraliqlar, ship tizimlari, tutunni boshqarish, yoritish ierarxiyasi, texnik xizmat ko’rsatishga kirish va jamoat xavfsizligini o’z ichiga olgan qat’iy muvofiqlashtirilgan me’moriy muhitda ishlashi kerak. <\/span><\/p>

Shu sababli, shift kinetik installyatsiyalari an’anaviy osilgan san’at asarlariga qaraganda me’moriy tizimlarga yaqinroq. Ularning muvaffaqiyati xonaning fazoviy mantig’ining bir qismiga aylanishiga bog’liq. Agar ular juda kichik bo’lsa, ular hajmga singib ketadi. Agar ular juda zich bo’lsa, ular yuqori maydonni tekislaydi va ravshanlikni pasaytiradi. Agar ular juda mexanik ifodali bo’lsa, ular makonni kompozitsion emas, balki bezovta qiluvchi his qilishlari mumkin. Eng yaxshi osilgan asarlar ularni joylashtirgan xonani bostirmasdan, gamma, ritm va jamoatchilik e’tiborini sozlaydi. <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ular kosmosga nima qilishadi<\/span><\/h2>

Eng kuchli ship kinetik o’rnatmalari idrokni bir vaqtning o’zida uch xil usulda o’zgartiradi. Birinchidan, ular ko’zga yuqoriga qarab harakatlanish uchun sabab beradi, bu esa xonaning vertikal masshtabini tushunish usulini o’zgartiradi. Ikkinchidan, ular interyerlarda aks holda tarqoq tuyulishi mumkin bo’lgan og’irlik markazini yaratadi. Uchinchidan, ular arxitekturani o’qishga vaqt kiritadi, shuning uchun makon endi bir qarashda egallanilmaydi. <\/span><\/p>

Bu, ayniqsa, atriumlar va vestibyullarda juda kuchli. Katta tijorat va madaniy interyerlar ko’pincha obro’-e’tibor, ochiqlik yoki fuqarolik miqyosini ifodalash uchun ikki qavatli yoki ko’p qavatli jildlarga tayanadi. Ammo agar hech narsa ularni tuzmasa, xuddi shu jildlar mavhum tuyulishi mumkin. Osilib turgan kinetik maydon baland xonani yanada mutanosib va \u200b\u200bmaqsadliroq his qilishi mumkin. U yer sathini, ko’priklarni, mezoninlarni va jildning yuqori qirralarini vizual ravishda bog’lashi mumkin. Shuningdek, u qarash harakatini sekinlashtirishi mumkin, bu aks holda juda tez tushunilishi mumkin bo’lgan o’tish joylarida qimmatlidir. <\/span><\/p>

Bu ta’sir vizual jihatdan tashqari, xulq-atvorga ham ta’sir qiladi. Odamlar jozibali yuqori o’rnatishga ega bo’lgan makonga kirishganda, ular boshqacha pauza qilishadi, o’zlarini aniqroq yo’naltirishadi va xonani bo’shliq emas, balki joy sifatida qabul qilishadi. O’tish joyi qolish maydonining xususiyatlariga ega bo’la boshlaydi. <\/span><\/p>

Aynan shuning uchun ham Heathrow Terminal 2 da United Visual Artists tomonidan yaratilgan Slipstream kabi asarlar muhim ahamiyatga ega. Bu shunchaki atriumdagi osilgan haykal emas. U terminal hajmining idrok etilish usulini o’zgartiradi va interyerga uning atrofidagi arxitekturaga mos keladigan miqyosda kuchliroq fazoviy o’ziga xoslik beradi. Bu tipologiyaning asl kuchi shunda: u boshdagi bo’shliqni ommaviy ma’no maydoniga aylantirishi mumkin. <\/span><\/p>

Atriumlar, vestibyullar va konkurslar bir-birini almashtirib bo’lmaydi<\/span><\/h2>

Garchi bu muhitlar ko’pincha birlashtirilgan bo’lsa-da, ular turli xil to’xtatilgan strategiyalarni talab qiladi. Korporativ yoki mehmondo’stlik foyesida o’rnatish odatda kelish va o’ziga xoslikni qo’llab-quvvatlashi kerak. U qabulxona, kelish o’qi yoki dam olish zonalari bilan mos kelishi kerak bo’lishi mumkin va ko’pincha binoning jamoatchilik imidjining bir qismini o’z ichiga oladi. Muzey zalida yoki madaniy atriumda o’rnatish ko’proq jamoatchilik tajribasi ketma-ketligi doirasida fazoviy tadbir sifatida ishlashi mumkin. Aeroport yoki transport zalida u yo’nalishni aniqlash, olomon harakati, operatsion aniqlik va uzoq masofalarni ko’rish bilan birga bo’lishi kerak. <\/span><\/p>

Bu farqlar muhim, chunki bir xil yuqori kinetik til ularning barchasida bir xil darajada yaxshi ishlay olmaydi. Tafakkurli madaniy bo’shliqda chiroyli ishlaydigan juda murakkab to’xtatilgan maydon tez harakatlanuvchi transport muhitida haddan tashqari murakkab tuyulishi mumkin. Hashamatli mehmondo’stlik foyesiga mos keladigan dramatik markaziy imo-ishora kengroq fazoviy betaraflikka muhtoj bo’lgan fuqarolik zalida haddan tashqari ramziy tuyulishi mumkin. <\/span><\/p>

Shu sababli, ship kinetik o’rnatmalari ko’chma kontseptsiyalar o’rniga joyga xos tipologiyalar sifatida ishlab chiqilishi kerak. Xonaning geometriyasi, bandlik tezligi, ko’rish darajalari soni va katta loyihadagi makonning roli – bularning barchasi qanday to’xtatilgan harakat aslida ishlashini belgilaydi. <\/span><\/p>

Berndagi Universitet kasalxonasi atriumida SpY tomonidan ishlab chiqarilgan Loops installyatsiyasi yaxshi misol bo’la oladi. Uning osma yoritilgan halqalari shunchaki havo maydonini to’ldirmaydi. Ular atriumning hissiy va idrok xususiyatini qayta sozlaydi, bu sog’liqni saqlash kontekstida vizual identifikatsiya kabi muhimdir. Bunday javob to’g’ridan-to’g’ri transport zaliga yoki spekulyativ ofis foyesiga aylanmaydi. Shift ishlari umumiy ta’sirchan emas, balki tipologik jihatdan sozlanganda muvaffaqiyatli bo’ladi. <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Muhandislik muammosi nafaqat to’xtatib turishda<\/span><\/h2>

Shift kinetik o’rnatishlari haqidagi eng doimiy noto’g’ri tushunchalardan biri shundaki, asosiy texnik qiyinchilik shunchaki ishni osib qo’yishdir. Osma – bu faqat boshlanishi. Haqiqiy qiyinchilik faol bino muhitida aniq, xavfsiz, texnik xizmat ko’rsatiladigan va vizual jihatdan izchil bo’lib qoladigan harakatlanuvchi yuqori tizimni yaratishda yotadi. <\/span><\/p>

Tuzilma, shubhasiz, markaziy ahamiyatga ega. Yuklar me’moriy hajmga putur yetkazmasdan, asosiy binoga o’tkazilishi kerak. Ammo bundan tashqari, o’rnatish ko’pincha yashirin ikkilamchi po’latga, taqsimlangan qo’llab-quvvatlash mantig’iga, kabel yo’nalishiga, quvvat va ma’lumotlar yo’llariga, xizmat ko’rsatishga kirishga va ko’plab to’xtatilgan nuqtalarda tolerantliklarni aniq nazorat qilishga bog’liq. Harakat joriy etilgandan so’ng, muammo yanada murakkablashadi. Dinamik yuklar, tebranish, sinxronizatsiya va uzoq muddatli charchoqning barchasi muhim ahamiyat kasb eta boshlaydi. <\/span><\/p>

Katta osma tizimlarda muhandislik qiyinchiliklari ko’pincha birlik emas, balki k\u00fcm\u00fclatifdir. Alohida tayanch nuqtalaridagi kichik og’ishlar maydon bo’ylab ko’rinishi mumkin. Kichik bardoshlik o’zgarishi hizalanishni o’zgartirishi mumkin. Cheklangan kirish muntazam texnik xizmat ko’rsatishni buzuvchi aralashuvga aylantirishi mumkin. Vizual jihatdan oson ko’rinadigan osma ish aslida xonaning ko’rinadigan tekisligi ustida yashiringan juda intizomli muvofiqlashtirishga tayanishi mumkin. <\/span><\/p>

Shift kinetik o’rnatishlari kech o’rnatilganda ishlamay qolishining sabablaridan biri shu. Tizim hali ham to’xtatib qo’yilgan bo’lishi mumkin, ammo chinakamiga integratsiya qilinmagan. Ko’rish chiziqlari buziladi, xizmat ko’rsatish noqulay bo’ladi, tutunni boshqarish yoki yoritish bilan muvofiqlashtirish ikkinchi darajali bo’lib qoladi va o’rnatish fazoviy jihatdan hal qilingan yuqori tizim o’rniga qo’shimcha kabi ishlay boshlaydi. Ushbu tipologiyada amalga oshirish sifati dastlabki me’moriy muvofiqlashtirishdan ajralmasdir. <\/span><\/p>

Harakat xonaga mos kelishi kerak<\/span><\/h2>

Har qanday harakat turi yuqoridan o’rnatish uchun mos kelavermaydi. Harakat tili makonning me’moriy muhitiga mos kelishi kerak. Ba’zi interyerlarda nozik jamoaviy siljish yoki sekin o’zgarish hajmni jonli qilish uchun etarli. Boshqalarida esa, aniqroq ketma-ketlik mos kelishi mumkin. Ammo yuqoridan harakatlanish ko’z darajasida harakatga qaraganda ko’proq ta’sirga ega, chunki u xonaning yuqori maydonini egallaydi. Shuning uchun hatto kichik imo-ishoralar ham katta fazoviy oqibatlarga olib kelishi mumkin. <\/span><\/p>

Shu sababli, ship o’rnatishlarida boshqa kinetik tipologiyalarga qaraganda cheklov ko’pincha muhimroqdir. Agar harakat juda keskin, juda parchalanib ketgan yoki juda qat’iy bo’lsa, o’rnatish xonani jonlantirish o’rniga uni beqarorlashtirishi mumkin. Bu arxitekturaning o’zi kengaytmasi emas, balki uning ustida sodir bo’layotgan voqea kabi tuyula boshlaydi. Agar harakat hajm masshtabiga nisbatan juda zaif bo’lsa, o’rnatish ko’pgina jamoatchilik nuqtai nazaridan vizual ravishda yo’qolishi mumkin. <\/span><\/p>

Eng kuchli osma tizimlar bu muvozanatni tushunadi. Ular xonani ifodalash uchun harakatdan foydalanadilar, uni bostirish uchun emas. Maqsad yuqoridagi narsaning kinetik ekanligini isbotlash emas. Maqsad o’rnatish jarayoni tufayli xonaning o’zini yanada izchil, esda qolarli va fazoviy jihatdan jonliroq his qilishdir. <\/span><\/p>

Bu kuchli vizual konsepsiyalarga qaramay, yuqoridan ko’tariladigan ishlarning ko’pincha yomon ishlashining sabablaridan biridir. Harakat mexanik jihatdan ta’sirchan bo’lishi mumkin, ammo fazoviy jihatdan befarq. Atriumda bu odatda ish yaxshi suratga olishini, lekin aslida hajmni tartibga solmasligini anglatadi. Arxitekturada bu yo’qotilgan imkoniyatdir. <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Shift o’rnatmalari integratsiya orqali muvaffaqiyatli yoki muvaffaqiyatsiz bo’ladi<\/span><\/h2>

Ko’pgina san’at tipologiyalariga qaraganda, ship kinetik o’rnatmalari erta integratsiyaga bog’liq. Shift geometriyasi, strukturaviy zonalar, tutun chiqarish yo’llari, yoritish ierarxiyasi va texnik xizmat ko’rsatishga kirish strategiyasi o’rnatilgandan so’ng, xona ancha moslashuvchan bo’lib qoladi. Jarayonning oxirida harakatlanuvchi bosh ishini kiritishga urinish ko’pincha aynan bir xil naqshga olib keladi: ko’rish chiziqlarining buzilishi, noqulay qo’llab-quvvatlash mantig’i, xizmat ko’rsatishga kirishning yetarli emasligi va hajmni oqilona shakllantirish o’rniga qolgan joyni egallashga majbur bo’lgan tizim. <\/span><\/p>

Bu tijorat, madaniy, mehmondo’stlik va fuqarolik loyihalarida eng muhimi, bu yerda inshoot jiddiy me’moriy ishlarni bajarishi kutilmoqda. Agar maqsad vestibyulning o’ziga xosligini aniqlash, atriumni qurish yoki unutilmas osilgan yodgorlik yaratish bo’lsa, unda inshoot arxitektura bilan birga muvofiqlashtirilishi kerak, undan keyin emas. <\/span><\/p>

Bu yerda integratsiyalashgan studiyaning qiymati eng ko’zga tashlanadi. Shift kinetik installyatsiyalari san’at, muhandislik, boshqaruv, ishlab chiqarish va arxitektura muvofiqlashtirish chorrahasida joylashgan. Agar bu fanlar juda kech ajratilsa yoki parallel qo’shimchalar sifatida ko’rib chiqilsa, ish odatda amalga oshirish tugagunga qadar aniqlikni yoki fazoviy ravshanlikni yo’qotadi. <\/span><\/p>

SKYFORM STUDIOda osma kinetik tizimlar dekorativ obyektlar emas, balki fazoviy asboblar sifatida ishlab chiqilgan. Bu farq aynan shu tipologiyada eng muhim ahamiyatga ega, chunki yuqoridan bajariladigan ishlar kechirimsiz: agar struktura, harakat, ko’rish chiziqlari va xizmat ko’rsatish birgalikda hal qilinmasa, xonaning zaif tomoni darhol ochib beriladi. <\/span><\/p>

Nima uchun bu tipologiya tijorat ahamiyatiga ega<\/span><\/h2>

Ishlab chiquvchilar va mijozlar uchun ship kinetik o’rnatmalari aniq tijorat afzalligiga ega: ular qimmatli maydonni egallamasdan turib, kuchli o’ziga xoslikni yaratishi mumkin. Atriumlarda, mehmondo’stlik salonlarida, tijorat markazlarida, transport joylarida va jamoat zallarida bu muhim ahamiyatga ega. O’rnatish yuqori hajmda ishlaydi, shu bilan birga yer tekisligini aylanish, chakana savdo ko’rinishi, o’rindiqlar, tadbirlar yoki operatsion moslashuvchanlik uchun ochiq saqlaydi. <\/span><\/p>

Bu osma kinetik ishlarni, ayniqsa, interyer ham tajriba, ham tijorat maqsadlarida bajarilishi kerak bo’lgan loyihalarda jozibador qiladi. Shiftni o’rnatish vestibyulni esda qolarli, zalni yanada o’ziga xos, atriumni o’qilishi osonroq yoki jamoat zalini umumiyroq qilishi mumkin \u2014 bularning barchasi pastdagi xonaning moslashuvchanligini kamaytirmasdan. <\/span><\/p>

Bu har bir interyerga kerak degani emas. Bu shuni anglatadiki, bu tipologiya aynan qimmatlidir, chunki u o’ziga xoslik va fazoviy effektni xonaning arxitektura ko’pincha kam ishlatadigan qismida jamlashi mumkin. Yaxshi integratsiya qilinganida, u katta interyerga madaniy va me’moriy kuch qo’shishning eng samarali usullaridan biriga aylanadi. <\/span><\/p>

Bu shuningdek, tijorat qiymati nafaqat kontseptsiyaga, balki ijroga ham bog’liqligini anglatadi. Xizmat ko’rsatish qiyinlashadigan, vizual shovqinli yoki fazoviy jihatdan uzilib qoladigan osilgan o’rnatish xonani uzoq vaqt davomida mustahkamlamaydi. O’rnatish bir martalik vizual imo-ishora emas, balki bardoshli me’moriy aktiv sifatida ishlaganda, natija keladi. <\/span><\/p>

Shift kinetik o’rnatmalari o’ziga xos me’moriy tipologiyadir, chunki ular obyektga asoslangan uchrashuv orqali emas, balki vertikal idrok, to’xtatilgan harakat va hajmli transformatsiya orqali ishlaydi. Ularning muvaffaqiyati xonaning vaqt o’tishi bilan yanada o’qilishi osonroq, fazoviy jihatdan tuzilganroq va esda qolarliroq bo’lishiga yordam berishiga bog’liq. <\/span><\/p>

Ular atriumlarda, vestibyullarda, konkurslarda va katta jamoat interyerlarida eng kuchli hisoblanadi, bu yerda yuqori hajm shunchaki ochiq qolishdan ko’proq narsani bajarishi kerak. Bu makonlarda kinetik shift ishi diqqatga sazovor joy, fazoviy langar, xulq-atvorni jalb qiluvchi va me’moriy tajribaning ajralmas qismiga aylanishi mumkin. <\/span><\/p>

The best examples do not merely hang in the room. They give the room a new way of being read. <\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Biz bilan bog'lanish<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Yuqoridan ko’rinadigan makonni belgilaydigan ship kinetik installyatsiyasini yaratishga tayyormisiz? Bizning portfelimiz<\/a> bilan tanishing yoki loyihangizni muhokama qilish uchun SKYFORM STUDIO<\/strong> jamoasi bilan bog’laning. <\/p>

Shift kinetik installyatsiyasini loyihalash san’at asarini yuqoridan osib qo’yishdan tashqari, uni loyihalash ham murakkabroq. Bu struktura, harakat, bardoshlilik, ko’rish chiziqlari va texnik xizmat ko’rsatishni, shuningdek, installyatsiyaning me’moriy hajmda qanday ishlashini tushunishni talab qiladi. <\/p>

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SKYFORM STUDIO\u2019da<\/strong><\/a> biz kinetik qurilmalarni kontseptsiya, harakat mantig\u2018i, muhandislik, ishlab chiqarish va arxitektura muvofiqlashtirishi orqali shakllantirilgan integratsiyalashgan tizimlar sifatida ishlab chiqamiz \u2014 har bir to\u2018xtatilgan ish makonga qo\u2018shimcha emas, balki uning bir qismiga aylanishini ta\u2019minlaymiz. Katta hajmli muhitlar uchun shiftni o\u2018rnatishni joriy etishning eng samarali vaqti erta rejalashtirish davrida \u2014 fazoviy va texnik qarorlar allaqachon qabul qilinishidan oldindir. <\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Maqola muallifi<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Igor Velikiy<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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SKYFORM STUDIO asoschisi va badiiy rahbari
San'at ta'limi va jamoat san'ati bo'yicha TIV (Chikago san'at instituti, AQSh)
\"Zamonaviy shaharlardagi diqqatga sazovor joylar\" kitobi muallifi<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
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Shift kinetik installyatsiyalari arxitekturada juda o’ziga xos o’rin tutadi. Ular maydonlardagi mustaqil haykallar kabi harakat qilmaydi va bino konvertiga o’rnatilgan […]<\/p>\n","protected":false},"author":2,"featured_media":14976,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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